Tracks of the Month – June

Hi everyone,

I’m a little late with posting June’s ‘Tracks of the Month’, and that is simply because I’ve been so busy that I haven’t had time to upload it. So, I thought I’d kick off this year’s ‘Jammin’ In July’ with a look back at the previous month and some of the songs that have (and still continue to) dominate my stereo.

 

Talia Mar – The Voices Are Me

Posted in honour of ‘Mental Health Awareness Month’ back in May, ‘The Voices Are Me’ is an extremely poignant piano-led track, born out of singer-songwriter Talia Mar’s desire to speak out about mental health through her YouTube channel. However, as she says in the video, she couldn’t find the right words to say so she wrote the song instead and, in my opinion, couldn’t have said it better. As someone who suffers/has suffered from anxiety, I can really relate to this track on a personal level; I feel as though some of the phrases were written straight out of my head, making it really moving to listen to. Personally, I feel that it perfectly describes how anxiety can make you feel, and I encourage everyone to really listen to the lyrics and take it in. Mar’s vocals are impeccable as always, and the contrasting quiet/loud dynamic of the verses and the chorus are a perfect fit for the vibe of the song. It also shows off her range brilliantly, the flawless quality of both the higher and lower notes creating an undeniably beautiful effect.

This song touches me so much that I can’t help but tear up (cry like a baby!) every time I hear it, and I can only commend and profusely thank Talia Mar for releasing this online. I hope that it helps people, whether that be finding comfort in dealing with your own issues or helping a friend or relative understand what someone else in their life is going through. It’s a beautiful song.

 

Tom Cochran – Life is a highway

You can thank The Summer Set’s Brian Dales for this one. If you follow him on Instagram you’ll know that he posts a daily Instagram story of himself miming along to the chorus line of this classic rock song in various settings. After a week or so of waking up and seeing said Instagram stories first thing in the morning, it’s really hard not to have it stuck in your head all day! But, with its upbeat, feel-good, summery vibe I’m not complaining.

 

Anne-Marie ft. Ed Sheeran – Ciao adios

I’ve said it before and I’ll say it again, is there anything that Ed Sheeran can’t make sound infinitely better? It appears not, as he comes together with R’n’B/Pop singer-songwriter Anne-Marie for this acoustic version of her song, ‘Ciao Adios’. Filmed on tour, in the dressing room before a show, the stripped-back vibe allows both the vocals and lyrics to shine even more; highlighting the pitch-perfect harmonies and Anne-Marie’s ability to switch between her lower and higher register with ease. The little looks and laughs between the pair throughout the video present an endearing quality and works to draw listeners in – and the addition of the tongue-in-cheek ‘you mug’, never fails to make me smile. 🙂

 

Charlie Puth – Attention

The lead single from Charlie Puth’s upcoming second album ‘Voice Notes’, ‘Attention’ is an addictive R’n’B/Pop song that, I imagine, a lot of people can relate to. The elements of funk in the arrangement work to create something that you can really groove to, and the lyrics are dripping with sassy vibes. Puth’s vocals are stellar as always; contrasting his main, deeper vocal line with a higher chorus and falsetto accents throughout, giving the track more depth. Full of charisma, it’s a song that you can’t help but be charmed by – and let’s face it, I’m sure everyone’s got at least one ex-whatever that they’d like to sing this to.

 

Bruno Mars – 24k Magic

I know I’m super late to the party with this one but…better late than never right? I mean come on who can’t sing-along to that chorus? The lead single from Mars’s album of the same name, 24K Magic is drenched in a funk/disco vibe set to Mars’s smooth R’n’B vocals. It’s a feel good track that doesn’t take its self too seriously, and the infectious beat also makes it impossible to sit still while listening to it – I dare you to try. C’mon everyone…put your pinky rings up the moon! 🙂

 

As always, thank you for reading! I hope I inspired you to give these songs a listen. In case you didn’t know, I’ll be posting twice a week this month as part of my ‘Jammin’ In July’ series, so if you like what I do here and want to keep up to date with my upcoming posts, feel free to come and join me on:

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Tuesday Chats: Do I Have The Right To Talk About Music?

Hello everyone, and welcome to a new segment I’ve created called ‘Tuesday Chats’.

‘Tuesday Chats’ is going to be an ongoing series with more of an informal vibe, as I’ve noticed that while my content is becoming more formal and professional, I don’t have many posts whereby I just chat to you and let more of my personality come through.

Because of this, I wanted to incorporate a regular thread where I just talk to you about things that are on my mind. This also breaks things up amongst the reviews and articles which, by nature, have to be very thought out and structured. So, what better way to kick off this series than with something music related (as not all of these posts will be) that has been on my mind for a while, and that is: do I have the right to talk about music?

A few months back, while I was travelling somewhere, I got talking to someone on the journey who turned out to be a musician. He asked me what I did, so I told him that I was between jobs but I run this blog and I’m a qualified music journalist. He then proceeded to ask: ‘so who are you then, to give your opinion?’ His statement, coupled with the tone of his voice, translated into: ‘who is going to care about your opinion, what gives you the right to talk about music?’ and for a minute, I didn’t really know what to say.

I was unsure about writing a blog post about this subject as I didn’t want it to come across as though I was ‘blowing my own trumpet’, but then recently, I saw a video on YouTube that re-inspired me.

Let me just take a second here to introduce you to tattoo YouTuber Treacle Tatts, or Lauren, if you prefer. Describing herself as “your verbally unfiltered friend”, Lauren makes videos, mainly, about tattoos. Nothing more than a tattoo enthusiast – with no official training or notable experience other than being tattooed – Lauren uses her channel to share her love of the art, in the form of sharing her opinions and experiences. At the tail-end of last year, Lauren uploaded a video entitled ‘Do I Have The Right To Talk About Tattoos?’ in which, she shared her reasons for making videos about tattoos and some of the backlash she has received because of it.

Around the 10 minute mark, Lauren asks: ‘Do I have the right to talk about tattoos and tell people what a tattoo should look like?’ to which she answers no and explains her reasoning. That, as well as the title of the video in general, really struck a chord with me as my immediate answer to the question was: yes, why wouldn’t you have the right to talk about it? Especially if it’s something you’re passionate about.

This brings me back to my original point: who am I, an unknown non-musician and self-confessed music obsessive, to critique and give my opinion on anyone’s music? Honestly, it played on my mind for a while, but after thinking about it, there are a few reasons why I have just as much right to talk about music as anyone else.

The first of which being, that I have a BA (hons) degree in Music Journalism. Now, I know how pretentious that may sound, like ‘I’ve been to uni and now I know all’. No, that’s not what I’m going for. All I mean to say is that I chose to go to uni and study Music Journalism for three years, learning how to write good reviews and articles, how to conduct interviews, and really honing my skills as a writer.

Also, you may know if you’ve followed me for a while, I actually set up this blog during my degree as a requirement for one of our assignments. So, outside of classes I was putting into practice what I was learning. I decided to use the platform to create a body of work that I could show to prospective employers when I graduated, so instead of just saying I’m motivated and able to act on my own initiative, they’d see it. Because I enjoyed it so much I would also seek out contribution opportunities, and enquire about artist interviews, in my spare time. As a result I had my first two pieces published in BBM Magazine, as well as had the opportunity to interview some of my favourite artists including, The Summer Set’s Brian Dales, Elissa Franceschi, and Set It Off’s Cody Carson.

It was important to me to have work experience as well as my degree because, fun fact, I was once told that a journalism degree is almost worthless. I went to a university fare during my A-Levels and asked one of the reps about Journalism degrees, to which he replied: “why are you doing a journalism degree if you want to be a journalist? most places want experience, a degree isn’t going to get you a job.” I was stunned. I agree that there’s nothing worse than an arrogant graduate fresh out of university thinking they’re now entitled to a job purely because of that fact, but I still chose to do a degree because I thought if I could have both a degree and experience, it may work in my favour.

In terms of being able to talk technically about music, obviously I learned some terminology over the course of my degree, but something you may not know about me is that I sing. It’s not something I publicise but I enjoy singing and had vocal lessons on and off for three years. Through this, I learned a lot about different techniques and how to use them in your performance to get the best out of your voice. Now when I listen to music, I’m able to identify if someone is straining to hit notes outside of their range, or simple things like not singing with your mouth open enough (which sounds silly, but can actually make a big difference to how you sound.)

Lastly, I feel that I’m ‘qualified’ to talk about music, simply because I have a genuine love and passion for music and the people who make it. I think that if you genuinely enjoy something, you will inevitably find yourself learning more about the subject naturally – therefore becoming even more informed. As I’ve said multiple times before, I’m not a full-time blogger and I don’t get paid for anything you see on here, but music is a huge part of my life and it’s what I’m passionate about. I enjoy talking to people about – and sharing – the music that I love in the hopes of reaching someone who will like it just as much and, at its core, that’s what this blog is about.

I never want to be seen as a know-it-all or unapproachable, I simply hope that my love for music is reflected in my writing and is an accurate representation of myself. Because of this I very seldom give bad reviews. I think there’s enough negativity that exists on the internet – in the form of trolling and things like that – and I don’t see the need to add to it. One of my favourite quotes is: “Be an advocate for what you love instead of bashing what you hate”, and that is exactly the approach I take to blogging. I don’t see the need to write a review that highlights everything I don’t like about a piece of music, I’d rather spend my time talking about the things I do like and being known for spreading love and positivity.

So, do I have the right to talk about music? Yes. Anyone with half a brain will understand that art is subjective, meaning whether or not you like something is based on personal opinion and how it affects you. No one else, you. That is all I try to convey in my blogs; you may not like the music that I like but then again, you might. So, Instead of just saying ‘hey, I like this’, I give an informed opinion telling you my reasons for liking, or disliking, something. My only hope is to reach like-minded music lovers and to encourage people to give things a chance – I’ve been surprised many a time by music that I didn’t think I’d necessarily like.

But honestly, I think that if you have a genuine, deep-rooted love and passion for a subject, and you make it your business to continuously learn and grow your knowledge of it, then you have just as much right to talk about it and offer an opinion as anyone else.

 

As always thank you for reading. What are your thoughts on the subject? Would you rather listen to someone who has all the qualifications in the world but no passion, or someone who is admittedly learning all the time and just loves what they’re talking about?

 

I upload a new blog every week, if you’d like to keep up to date with my upcoming posts feel free to come join me on:

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*Just in case anyone picks up on this, I’d like to address that Lauren (Treacle Tatts) does have two videos on her channel about Tattoo Fixers that are far from favourable, and if you follow my blog you’ll know that as a viewer, I enjoy the show and I’ve actually been tattooed by one of the featured artists. However, I don’t see this difference of opinion as a problem; I’d hope people can accept that not everyone is going to feel the same about certain things – it’s what makes life interesting. I’m always curious to hear other people’s opinions (which is why I watched her videos on the show in the first place,) it doesn’t stop me enjoying her content and I’m a fan of her candid, down-to-earth personality – she comes across as a great person to hang out and talk tattoos with. A big thank you to her for being cool about me posting this and agreeing to be a reference within the discussion – Thank you Lauren!

Tracks of the Month: January/February

Hello everyone,

It’s that time again… yes, it’s nearing the end of the month so as is tradition around here, I’m going to take you through the songs that have dominated my stereo/ITunes/headphones over these last few weeks. If you follow my blog regularly then you may’ve noticed that I didn’t do one of these last month, so this is going to be a culmination of my January and February favourites. So, without further ado, let’s get into it.

 

Crutch – Set It Off

Taken from Set It Off’s latest studio album ‘Upside Down’, ‘Crutch’ is a pop-driven track with a gracefully explosive rock chorus. The song opens with a motif that sounds like it came straight out of a video game, with Cody Carson’s smoothly distinctive vocals not far behind, adding a soulful, almost, r’n’b tinge.

This is a definite example of the band’s sound taking on more of a lighter, pop vibe than their previous releases, however, it still retains that signature Set It Off sound. Personally, I love it. If there’s one thing I’m not too crazy on it would be the staccato video-gamey introduction, but I can look past that because the rest of the song is catchy as hell.

I’ve also been listening to some other tracks from ‘Upside Down’ including Jazzy, pop trackDiamond Girl’– which brings back a flavour of the orchestral sound from debut release ‘Cinematics’, with brass accents throughout and explosive, rock songWant’, which has more of a brooding, darker feel.

To see my review of the band’s previous album ‘Duality’, click here.

 

Lianne Kaye – Last Thing

This is getting to be quite a tradition around here isn’t it? Singer-songwriter, and YouTuber, Lianne Kaye was featured in my last ‘Tracks of the Month’ as well – and she’s back for very good reason. Kaye kicked off the year with a re-upload of her original song ‘Last Thing’, stating at the beginning of the video that the audio quality wasn’t the best in the previous one.

This new version of ‘Last Thing’ sees the ballad become very raw, consisting of just Kaye’s vocals accompanied by an electric guitar. The song opens with a beautifully delicate melody that flows into the verses. The chorus then amps up the power, both vocally and in the instrumental, with a chord pattern that lends itself to a very slight country/pop vibe. It’s an enchanting song about the to-and-fro of a turbulent break-up, of lost love and moving on – which I think everyone can relate to.
Vocally it doesn’t disappoint either, Kaye’s rich, strong tone sounding effortless and bold throughout. If you’ve read my other reviews you’ll know that I’m a big fan of Kaye’s music and, personally, I can’t wait to hear some more originals from her.

To see my review of the Kaye’s previous original song ‘You’, click here. And, to see my review of her officially released single ‘Clear’, click here.

 

You Me At Six – Take On The World

Now, I know I posted a review of You Me At Six’s newest album ‘Night People’ at the beginning of the month, but I had to include this song here because I’m absolutely in love with it. ‘Take On The World’ is a poignant ballad about being there for someone through the worst of times, letting them know that together you can take on the world.

From the first time I heard this song – and every time since – it never fails to give me goosebumps. As someone who has struggled with anxiety in the past, the lyrics and the overall message of the song really resonates with me and I know that if I ever find myself in that situation again, this is a song that I’ll put on and just imagine someone singing it to me.

I’m actually going to see You Me At Six on their upcoming April tour and, if you follow me on Twitter, you may’ve seen me say that if they play this song live there’s a massive chance I’ll be in tears. It just really hits home for me and it’s a beautiful song overall.

To see my recent review of You Me At Six’s newest studio album ‘Night People’, click here.

 

La La Land – City Of Stars

If you’ve not heard of the recently released movie ‘La La Land’, to you I ask, where have you been? The musical romantic-comedy drama – starring Ryan Gosling and Emma Stone – was up for a record-breaking 14 nominations at this year’s Oscars, and it seems to be all anyone can talk about.

From my Twitter feed to Facebook, I kept seeing people sharing positive reviews of the film and its music – a couple of people I follow even posted covers of this very song. So, I decided to go and see what all the fuss was about – and I wasn’t disappointed.

Fair warning, if you’re not into musicals or anything overly lovey-dovey, then you’re probably not going to like this film. But, I really enjoyed it, and this song in particular has stuck with me since I watched it. ‘City Of Stars’ has that, kind of, classic vibe of old Hollywood movies but incorporates elements that work to bring it into the modern day. That charm, coupled with a catchy rhythm and heart-warming lyrics, will see you singing it for days afterwards – trust me.

 

Ruelle – Invincible

Ruelle is an electronic/pop artist from Nashville, that I discovered whilst binge-watching the Netflix original series ‘Shadowhunters’ – based on Cassandra Clare’s popular book series ‘The Mortal Instruments’. Ruelle lends quite a few of her songs to the show, including ‘Invincible’.

The electronic track is delicately menacing, with its ‘you want a war? You don’t know what you’re asking for’ bridge, and beat-driven instrumental – like waiting for a storm to hit. However, this is lifted by Ruelle’s light, ethereal vocals, and addictively charmingly melodies which ensure the songs leave an impression  making you want to hear more. With its dramatic vibe, dark undercurrents and epic-sounding chorus, it’s not surprising that her work has been featured in multiple television shows and films, as it lends its self really well to cinematics. Currently working on her first full-length album, Ruelle is undoubtedly one to watch.

Honestly, I had such a hard time choosing which song to feature in this post; I also love the dreamy, romantic sound of ‘Storm’, the eerie but upbeat, danceable ‘Monsters’, and the swelling, epic-sounding theme to the Shadowhunters series: ‘This Is The Hunt’. (Click on each title to listen to them.)

 

Pvris – Eyelids

I’ve been meaning to check out American three-piece Pvris – or, Paris to you and me – for a while now, but this is actually another song that I discovered thanks to the ‘Shadowhunters’ Netflix series. Taken from the band’s debut album ‘White Noise’, ‘Eyelids’ is a beautifully haunting track.

Combining their electronic, pop/rock sound with a crashing, beat-heavy chorus, it works to create something dark and eerie, with Lynn Gunn’s delicately airy vocals lifting everything – also giving it a pretty and romantic vibe.

 

Another two songs I’ve been listening to a lot since their release in January, are ‘Shape Of You’ and ‘Castle On The Hill’ by Ed Sheeran, marking the end of his musical hiatus, as well as his recent Live Lounge cover of Little Mix’s ‘Touch’. Click here to see my dual review of both ‘Shape Of You’ and ‘Castle On The Hill’.

 

What songs have you been loving recently? I’m always on the hunt for new things to listen to so please feel free to let me know in a comment, and as always, thank you for reading! If you like what I do here and you want to keep up to date with my upcoming posts, be sure to come and join me on:

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Tracks of the Month: December

Hello everyone,

Now, as a rule I don’t usually upload these posts until later on in the month, nor do I generally do a Tracks of the Month in December as the airwaves are usually overtaken by Christmas songs. However, today I decided to squeeze it into my blogging schedule because I’ve been listening to these tracks non-stop recently.

One is edgy and aggressive, and the other is a delicate ballad, so they’re complete polar opposites – and undeniably a far cry from the seasonal ‘We Wish You A Merry Christmas.’ 🙂

 

Bohnes – Middle Finger

After unveiling his solo project ‘Bohnes’ in 2015, ex-The Cab frontman Alex DeLeon has since dropped a couple of singles online to give audiences a glimpse of his newest venture. Premiered on YouTube almost a year ago, ‘Middle Finger’ is his second offering – and it’s a lot more ballsy than anything we’ve ever heard from him before.

Opening with an eerie two-note rhythm, the track has quite a dark, brooding theme running through it – as expected from its title. The verses carry on this simplistic accompaniment, which then allows the explosive chorus to take centre stage for maximum impact; with its swelling electro/hip-hop vibes and powerfully assertive lyrics, it hits you like a punch in the gut. DeLeon’s smooth and soulful vocals are stellar as always, further proving that he’s not one to be pigeon-holed into any genre.

I’ll be honest, I wasn’t initially too keen on this song but, from time to time, the chorus would just pop into my head, so I decided to listen to it again and it’s grown on me in a big way. If there’s one thing that I’m still not the biggest fan of, it’s the recurring ‘la la la la’ refrain that crops up throughout but, with that being said, it’s not enough to put me off the song as a whole.

It’s intense, it’s aggressive and it’s totally badass. I love it and I’m intrigued to see/hear wear Bohnes is going to take this project in the future.

 

Favourite lyrics:

“I refuse to let you make me feel like I can’t fly / not only will I soar again, I’ll own the fuckin’ sky.”

“I’m done being your slave / my generation’s had enough / and you should be afraid”

“Ain’t got time for dying, I’m too busy diving / more than just surviving, heart is beating violent.”

 

I also did a, more in-depth, review of Bohnes’ debut single ‘Guns and Roses’, back when it released in November last year. If you want to check that one out too, click here.

 

 

Lianne Kaye – You

Following the release of her single ‘Clear’ this past July, singer-songwriter – and YouTuber – Lianne Kaye recently treated her vast online following to another original song. Unlike the electronic/pop-rock vibe of her previous offering, ‘You’ brings back the acoustic ballad sound that audiences are used to hearing from the 21 year old – albeit somewhat more refined.

The stripped back accompaniment really suits the romantic nature of the song and works to create something delicate and heartfelt. It also proves that there is beauty in simplicity; it doesn’t need gimmicks, it makes an impact as is. The love-song also showcases Kaye’s distinctively bold vocals brilliantly, with a sprinkling of higher notes throughout, adding dimension to the track.

Personally, I absolutely adore Kaye’s voice and I think that this song really captures her as an artist; I can’t wait to hear more originals from her. Listen to it once and you’ll find yourself wanting to hear it to again and again (and again, and again) trust me.


Favourite lyrics:

“Standing here without a guard / ‘coz you’re a light in the dark.”

“Nowhere left to run, ‘coz I’ll be here when all is done / if you ever need to hear something true, well all the cracks in the earth lead to you.”

If you’d also like to see my, more in-depth, review of Kaye’s previous single ‘Clear’, click here.

 

Another track that I’ve been listening to a lot over the last few weeks is, singer-songwriter – and beauty/lifestyle YouTuber – Talia Mar’s debut single ‘Stolen’. I haven’t included it in this post as I uploaded a review of it earlier in the month and didn’t want to repeat myself so, if you fancy having a read of that too, click here.

 

 

As always, thank you for reading! If you like what I do here and you want to keep up to date with my upcoming posts, through the New Year and beyond, be sure to come and join me on:

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Talia Mar – Stolen (Single Review)

Upcoming talent releases bold debut single ‘Stolen’, with atmospheric accompanying music video.

talia-mar-stolen-cover-art

Allow me to introduce you to Talia Mar, a young singer-songwriter and YouTuber. Among her beauty and lifestyle vlogs, the nineteen year old – hailing from South London – also dropped the video for her debut single ‘Stolen’ in late November.

The first music video on her channel, the track is self-produced and self-released, and has racked up an impressive four thousand-plus views in a mere few weeks. The song has also gotten over ninety-one thousand plays on SoundCloud since its upload in July – which, for an unsigned artist, is no mean feat.

‘Stolen’ has an overarching electronic/r’n’b vibe, with some slight hip-hop accents in the mix too. This combines to make something very current and dynamic that wouldn’t be out of place in the mainstream pop charts. Mar’s smooth vocal is pitch-perfect as she glides between her chest voice and head voice effortlessly, hitting the higher notes beautifully. She is also fiercely confident throughout, using the lyrics to assert her independence within the music industry. Overall, the song – as well as its accompanying music video and imagery – is bold, feisty and powerful. I love it, and judging by the ever-increasing hit rate, I’m not the only one.

With an upcoming EP in the pipeline, I’ll definitely be listening out for any new songs on the horizon, and I’d also be interested in interviewing Talia in the New Year to see what else she has planned music-wise.

 

Favourite lyrics:

“You see that it’s a business, a game of sinning a game of winning and I was your ticket.”

“You told them you don’t wanna miss this / said you were so impressed and called me average at best / were you conflicted?

“Were you scared of my songs, my words and my voice? / were they stronger than yours ‘coz you ran like a little boy.”

 

‘Stolen’ is available to stream or download now on SoundCloud, Spotify, Apple Music and ITunes.

If you’ve visited my blog before then you may remember that I saw Talia Marr perform live at acoustic showcase, Musique a few weeks ago. Click here to check out my review of the event.

 

If you like what you hear and want to keep up to date with Talia Mar’s music, or if you want to check out her beauty and lifestyle videos, then be sure to follow her on:

Twitter / YouTube / Facebook

 

As always, thank you for reading! If you like what I do here and you want to keep up to date with my upcoming posts, through the New Year and beyond, be sure to come and join me on:

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One To Watch: Hobbie Stuart

Never heard of Hobbie Stuart? – looks like I got here just in time then. Hailing from the English seaside town of Brighton, Stuart is a pop singer-songwriter and online vlogger.

hobbie stuart hotline bling screen shot

Since 2010 Stuart has been uploading cover videos, original tracks, and the occasional vlog to his YouTube channel. Throughout the years he has amassed over 300,000 subscribers, racked up an impressive 28 million views, gained over 150 thousand Facebook likes and 104 thousand Twitter followers – and it’s easy to see (or hear) why.

Alongside his few follow-me-around style videos, Stuart predominantly uses his channel to promote his music – posting cover versions of popular tracks. He frequently records mash-ups of chart hits, and they’re always done with such finesse and fluidity that you start to think they actually belong together. For instance, one of the first covers I heard from him was his version of Ed Sheeran’s ‘Sing’ and Disclosure’s ‘Latch’.

Accompanied by nothing more than a delicate acoustic guitar, Stuart’s vocals are flawless as he moves between the smooth notes of his lower register into his beautifully captivating falsetto, the two tracks flowing together seamlessly as he segues from one to another like they were made that way.

As well as pop, Stuart has also been known to put his stamp on R’n’B songs from the likes of Rhianna, Wiz Khalifa and Drake – including this acoustic version of ‘Hotline Bling’.

Originally by Drake, Stuart’s rendition also incorporates The Weeknd’s ‘Can’t Feel My Face’ – and again, the two work brilliantly together. The softly seductive combination of the melodic guitar and Stuart’s honey-voiced drizzle is mesmerising, giving a romantic vibe to the whole thing.

Stuart has also collaborated with fellow YouTuber, and close friend, Gabriella Lindley (AKA Velvet Gh0st) on a cover of Ellie Goulding’s ‘Love Me Like You Do’, in a recent duet featured on her channel.

Lindley’s strong soprano sound acts as a contrast to Stuart’s bold lower register, and the two complement each other brilliantly, combining to produce some stunning harmonies throughout. The melody also changes slightly, to include a surprise snippet of another popular love-song, and the stripped-back arrangement intensifies the vocals and allows the song to really make an impact.

Stuart has also shared a selection of his own material on YouTube, including demos as well as fully produced tracks like ‘Day One’.

This romantically poignant ballad demonstrates, not only Stuart’s stellar vocals, but his ability to pen a chart-worthy song. It really makes you question why he is not a widely recognised artist because personally, I could definitely hear this on the radio.

In addition to his online content, Stuart has also embarked on a number of tours during his career – most recently in March this year – hitting cities like London, Manchester, Dublin, Glasgow and even Paris.

March 2015 tour poster

So if you’re interest has been piqued and you’re now wondering where you can get your mitts on some of Stuart’s music, you’re in luck. You can pick up his 2013 single ‘Still Here’, and five track EP of the same name, on ITunes – and there could soon be a new release on the horizon. Stuart teased in a recent vlog that he’s currently working on an EP, as well as new song ‘Someone To Love You’, both of which should appear in a few months. (Excited face!)

Overall verdict:

Personally I’m loving Stuart’s music at the moment, I think he has an incredible voice, and I love the stripped-back acoustic sound. I’m really enjoying listening to what he currently has online, and I’d be really interested in seeing him live to hear some more of his original material.

Favourite Tracks:

Day One

Hotline Bling cover

Latch/Sing cover

If you want to keep up to date with everything Hobbie’s up to with his music and vlogs, check him out on:

YouTube      Twitter       Instagram      Facebook      Soundcloud